TRUSTED BY
Over the past two decades, I have had the opportunity to work with film distributors, home-video labels, cultural institutions, festivals and publications in France and internationally.
These collaborations span documentary filmmaking, interviews, photography, video production, film consulting, archival research and film restoration, and include some of the most respected names in film distribution and film culture.
INTERNATIONAL FILM DISTRIBUTORS & LABELS
Since 2003, I have produced documentaries, interviews, video essays, archival features and other editorial content for numerous film distributors and home-video labels in France and internationally.
In France, these include Wild Side, StudioCanal, Carlotta Films, The Jokers, Spectrum Films, BQHL and CTV.
Internationally, I have collaborated with Criterion, Vinegar Syndrome and Shout! Studios in the United States; Arrow Video, Eureka Entertainment, 88 Films and StudioCanal UK in the United Kingdom; Imprint Films in Australia; and Plaion in Germany.
Many of these collaborations have developed over several years and multiple projects, reflecting long-term relationships built around film heritage, archival material and original editorial content.
CULTURAL INSTITUTIONS & FILM ORGANISATIONS
My expertise in Asian cinema, particularly Hong Kong cinema, has also led to collaborations with cultural institutions and film organisations.
I have been invited to present films, introduce retrospectives and participate in talks and discussions for institutions including La Cinémathèque française, Le Forum des images and La Cinémathèque de Toulouse, as well as events supported by the City of Paris.
I have also participated in screenings and discussions organised by associations including Ciné Scred and Banh Mi Media, including an event devoted to Bruce Lee at the Musée Guimet in Paris.
INTERNATIONAL FILM FESTIVAL JURIES
I have also been invited to serve as a jury member at several international film festivals, reflecting my long-standing involvement with Asian and international cinema.
I first served on a jury at the Sitges International Fantastic Film Festival, followed more recently by the Critics’ Jury at the Vesoul International Film Festival of Asian Cinemas in 2025.
In February 2026, I was invited to join the NETPAC Jury at the International Film Festival Rotterdam (IFFR), participating in the selection of the NETPAC Award for an outstanding Asian film.
FESTIVALS & VISUAL CONTENT
Film festivals have also been an important part of my professional work, both as a photographer and videographer.
For several years, I filmed and edited video content for the Neuchâtel International Fantastic Film Festival (NIFFF) in Switzerland.
In Paris, I have worked as a video editor and official photographer for L’Étrange Festival, documenting filmmakers, actors, screenings, masterclasses and festival events.
These collaborations have contributed to an extensive photographic and audiovisual archive documenting more than a decade of international film culture.
PRESS, MEDIA & EDITORIAL
My professional career began with film journalism, first online and later in print, and this editorial background remains an important part of my work.
Over the years, I have contributed interviews, articles and features to publications including DVD Vision, Mad Movies, Impact, Mad Asia, Coyote Magazine and Cinemateaser, covering Asian cinema, genre filmmaking and international film culture.
I have also collaborated with CVS / La Médiathèque Numérique, including the production and co-production of exclusive editorial and bonus content for digital film and library platforms.
